Showing posts with label Lost without You. Show all posts
Showing posts with label Lost without You. Show all posts

Wednesday, April 17, 2019

Spring 2019 News

Don't miss out on the latest!


OUT NOW: Kissing a Billionaire Collection 

Featuring romantic stories by Taylor Hart, Heather B. Moore, Sarah M. Eden, Annette Lyon, Danyelle Ferguson, and Sophia Summers.

My story in this collection, "Bow Tie and the Billionaire" has special meaning to me.

It's inspired in part by my uncle Howard, who passed away right before I wrote the story (he's the original Bow Tie the clown!), and it's set in Helsinki, the home of my heart.

Get it HERE.





Harvest Valley Romance Series

To help readers find stories that are in the same character universe, I've begun rebranding some of my work into the Harvest Valley Romance series.

The first is Falling to Pieces (formerly published as A Portrait for Toni).

If only life could stay the same, Toni would be happy. 
But fate and her best friend, Carter, have other ideas. 

Falling to Pieces is available for just 99 cents. 







In that book, you meet Brooke, whose story is told in Lost Without You

Brooke has almost given up on finding love.

Then she meets Greg, who's handsome, kind, funny, adventurous . . . but definitely not ready to love.







Other Harvest Valley stories: 

The Ultimate Bachelor Challenge 


Two singles are alone on Valentines Day: one is newly dumped, and the other has something to prove.





Harvest Valley Historical Romances: 





Between the Lines 

"This is a perfect read for those who are romantics at heart!" -Katie's Clean Book Collection

Get it here.






An Unexpected Proposal 

While working at a wood camp in a canyon of the Rockies during the winter of 1880, Caroline thwart the aggressive advances of Mr. Larson, and in the process discovers that her long-time friend James has genuine affection for her. 



Stay tuned for more stories in the series! 


Love Far from Home Novella Box Set


Three of my stories from past Timeless collections are combined into one volume: The Pier Changes Everything, Our Song, and Head Over Heels. 

Travel across several American Western states: California, Idaho, Utah, and Nevada in these contemporary romances.

Get it HERE.




More Timeless Romance Anthology News

Big Sky Collection (A Timeless Western Collection)

This is the second of the Timeless Western Collections, and the first with stories set in modern day.

Enjoy romantic stories by Kimberly Krey, Cindy Roland Anderson, and Annette Lyon.











Kissing a Billionaire Collection


Released April 16. See above for details! 













Midsummer Night Collection


The cover was recently revealed for this collection. Isn't it gorgeous?!

This collection will feature stories by Charlie N. Holmberg, Julie Wright, Heather B. Moore (writing as Jane Redd), Sarah M. Eden, Annette Lyon, and Amber Argyle.

It'll be released in June.

Pre-order it now!













COMING THIS SUMMER: A Week in Brighton (A Timeless Regency Collection) 
This one hasn't yet had a cover reveal, but stay tuned!

It'll be released in July, and it'll feature Regency romance stories by Donna Hatch, Jennifer Moore, and Annette Lyon.

More details to come soon!

~~~



Looking for a fun Regency read? 

The Baron's Daughter, Book 6 of the Beckett Files, from Laura Beers, is available now. 


As a nefarious plot begins to unfold, threatening the stability of two countries, Morgan and Josette must learn to trust each other in order to stop the assassination of both the King of France and their own prince regent. However, trust does not come easily to either agent, and when the truth of Josette’s past is finally unveiled, will they be able to accept that not only is their mission on the line, but their hearts, as well?


Check it out here.

Wednesday, December 18, 2013

Love Letter Anthology Cover Reveal! And News!

It's downright amazing to think that it's been over a year and a half since Heather, Sarah, and I sat down around my kitchen table to hammer out the concept of creating anthology collections with clean romance stories.

We're close to releasing our SIXTH collection, each of which has six stories: three novellas in addition to the three written by us. The others are all by authors we've hand-picked for each theme.

That means this collection marks EIGHTEEN guest writers we've worked with and that I've edited, in addition to twelve stories by Heather and Sarah I've edited, and the six I've written for the collection myself.

(Although full disclosure: as of today, my novella for this collection isn't quite done. Soon!)

(And I love where it's going!)

Here's the new cover for the collection that will come out on February 1:


Isn't it pretty?!

As you can see, this time the theme is Love Letters. But unlike any collection we've done so far, this one will have both historical and contemporary stories.

I love the cover, and I'm excited for our readers to get their hands on the whole collection!

Note: There are whisperings among the three of us about a possible development regarding the anthologies. Stay tuned!

P.S. Be sure to enter the GoodReads giveaway for a hard copy of Lost Without You. Use the link in the sidebar!

P.S.2. This week, the Kindle version of At the Water's Edge is on sale for only 99 cents. Sale ends Saturday night, December 21!

Wednesday, September 19, 2012

On My Own—From the Archives


SO much has happened and is happening that I'm trying frantically to catch up, and that includes keeping my blog updated. I hope to return to Word Nerd Wednesday next week.

One thing happening is that my oldest daughter has been playing music from Les Miserables. She particularly enjoys playing "On My Own."

It's beautiful, but I admit that hearing it also makes me giggle. The experience described below is why. It originally appeared here on my blog in October 2007.

(This same daughter, if anyone in my area is interested, is beginning to teach piano lessons. She's a beautiful musician, and she's great with kids.)



On My Own, Or on YouTube

As I’ve mentioned before, I went to high school with a bunch of thespians. These are people who took acting and made it a lifestyle. Their favorite party games were acting games. (Ever played "In the Manner of the Adverb"?) Their favorite pastimes were viewing or participating in plays—or listening to Broadway soundtracks.

With their insane music ability, it was a snap to stand around a piano while one (take your pick; it could be any one of half a dozen of them) sight read music and the rest sang along in perfect harmony. (Except me. "Give Annette the melody" was their sympathetic mantra.) Their competitions weren’t of the football variety, but rather Region Drama.

Being part of this group was particularly interesting for me, as I lived in a tight shell of shyness. These people exploded that shell off my person—which was a good thing in many ways, if uncomfortable at times. It stretched me.

Because of them, I auditioned for and performed in three community youth theater productions. It was because of them I started taking voice lessons and tried out for (and sang in) the school choir. It was because of them I found my interest in ballroom dance (which, in turn, led to meeting my husband).

It was also because of them that I ended up playing the temptress/blackmailer Desaray Cahoon one wintry night.

Four of the gang were on a double date and decided to make a soap opera video. They spent much of the evening writing out the script. Then they called the rest of our group over to film the thing. (Essentially crashing their date, but hey—we were all buds, and it was fun.)

The script began with one of the love interests getting smacked on the head by a rival, sending her into a coma. I’m fuzzy on the rest of the story—it made more sense on paper than it did on tape—but there was also a mute girl cured by the pure love of her teacher, including a delightful montage between them after they discover their love. They frolicked in the snow in Em’s backyard.

And then there was the blackmailing scheme of which Desaray (moi) was a part.

But the scene that had us all in stitches was when Em—the one who loved the mute girl's teacher (so we had a triangle; he was in love with the mute instead of her . . . the whole thing was dreadfully soapy)—sang a tearful rendition of “On My Own” from Les Miserables.

To fully appreciate this, you have to understand Em. She’s a consummate actress. In high school she played about every leading role possible. She won the award as the best actor of her graduating class. She went on to get a BA and an MA in theater. So yeah, the girl could (and can) act.

[2012 update: She's gone on to appear in a film many of my readers have surely seen. In the Joseph Smith movie, she's Mary Fielding, Hyrum's wife.]

Em can be very intense in her performances, especially her dramatic ones. Which is what made her hysterical to watch when she would take humorous material and turn it serious.

To this day, I crack up whenever I think of her dramatic interpretation of the song, “Oklahoma.” I can still hear the emotion and intensity in her voice when she’d declare, “And the waving wheat can sure smell sweet.” She had us hyperventilating.

Take that passion, add a cup of melodrama, and throw “On My Own” at her.

During the taping, one of the pianists in the group (did I mention these friends were also ridiculously talented musically?) played the music while she sang the song with the passion no Eponine has ever expressed.

I don’t know how she kept a straight face; the rest of us were rolling on the floor trying not to laugh out loud and ruin the shot.

Afterward, we had a scream watching the soap opera—then we all declared it should be burned, because someone really could blackmail us with such embarrassing stuff.

To my knowledge, it never was destroyed. In fact, I’ve met people (friends of friends) who say they’ve seen it. Um . . . yikes?

So I’m a bit scared that some day it’ll make its way onto YouTube or something. (This was way before YouTube.)

Fast forward many years:

When I wrote the book that became Lost Without You, I dropped in an inside joke that only those friends would catch. Some of them reportedly snorted with laughter when they came to it.

It was when the voice teacher in the book is first introduced.

Her name is Desaray Cahoon.

Sunday, July 22, 2012

Summer Splash Blog Hop!

BIG FUN is afoot at the Circle K. (Pardon the goofy Bill and Ted's reference.)

Consider this a jump-start to your fall reading list as well as a jump into the excitement for the release of my next book, Paige.

Truly, though. A boatload of writers are participating in a giant blog hop through the end of July. Each blog offers a chance to win prizes like books and other swag.

PLUS: The home blog for the hop will give out lots of GRAND PRIZES that you won't want to miss out on.

Grand Prizes Include: 
  • TWO Kindle Fires
  • $75 Amazon gift card
  • $50 Amazon gift card
  • A Kindle cover
  • And signed paperbacks of something like TWENTY different novels (including a copy of PAIGE, which will be out right about the time the hop ends!)

To win one of the grand prizes, tweet about the hop.

Each tweet must have two things: (1) a link to the hop AND (2) the #SummerHop hash tag (both are needed to track the tweets to give you credit). Cool side note: The blog hop host blog post already has pre-written tweets, complete with links, for you to use. Copy, paste, and tweet. Easy peasy. (Use the link below to get there, or use the blog hop button in the sidebar.)


SO WHAT IS MY BLOG OFFERING?

I'll randomly select FIVE winners. Each will receive one of the following prizes:
  • E-book of Lost Without You: Contemporary inspirational romance. A woman staring at her upcoming 30th birthday and biological clock, a widower with a young daughter, and an ex-boyfriend who decides if he can't have her, no one will.
  • E-book of At the Water's Edge: Contemporary inspirational romance. A Finnish woman's decision to change her religion sets a chain of events into motion that change every aspect of her life. Work, family, home, and, possibly, her heart. 
  • E-book of The Golden Cup of Kardak: Middle-grade fantasy. If there's any chance of winning the war, two siblings must find their father in the enemy's prison and bring him a magical goblet, a journey fraught with danger and adventures. 
  • Paperback of Spires of Stone: Historical romance. A loose re-telling of Shakespeare's Much Ado About Nothing set in 1860s Salt Lake City.
  • Paperback of Paige (Get your hands on it before anyone else!) Contemporary women's fiction, part of The Newport Ladies Book Club. A new divorcee and mother of two young boys starts over and must discover who she is as a woman rather than a wife and whether she can ever learn to trust another man again.

HOW TO ENTER HERE

TWO ways to win on my blog:
(1) Spread the word about MY participation in the hop, leaving a link to my blog. Be sure to leave comments each time you tweet or Facebook about it. PLEASE add the links so I can track them. (This is in addition to general tweeting with the #SummerHop tag.)

AND

(2) Answer any or all of the trivia questions below, but NOT in a comment. (EMAIL the answers to me. See details below.)


(1) SPREAD THE WORD
Every day from July 23 through the end of the month, you can get an entry point for linking to THIS post on Facebook or Twitter. (Don't link to my blog's regular URL. Use this post's permalink). Do it every day, and that's NINE potential entries on FB and NINE more on Twitter, for EIGHTEEN total.

(2) ANSWER UP TO 5 TRIVIA QUESTIONS
E-mail me the answers to any of the following trivia questions about me. Each correct answer gives you TWO entries, for a possible total of TEN.

Find every answer with a simple blog search right here. HINT: Each question has a big-time hint in it. Just search this blog for the bolded and italicized words.

IMPORTANT NOTE: 
NO trivia answers in the comments will be accepted, or the answers will be ruined for everyone else. Comments with trivia answers will be deleted. Instead, e-mail your answers to ANNETTE (at) ANNETTE LYON (dot) com with "SUMMER HOP TRIVIA" in the subject line.



NOW FOR THE QUESTIONS:

(1) When I referred to racing stripes in a post, what was I referring to?

(2) If I'm NOT an Anne freak, who or what am I obsessed with?


(3) While blow drying my hair, I got a great idea for the story that became Tower of Strength (the creative juices were really flowing). What annual tradition kept me from working on that book for a week?

(4) In the company of weird, where was I? (A general answer is fine. No specific date or location required.)

(5) When my family decided to attack the grammar fascista, what word pair did my husband brilliantly drive me crazy with? (TIP: The answer to this question is part of Melissa Smith's scavenger hunt, which she's doing for the hop. Find the answer to this question, and you're ahead of the game when you hop over to her place!)



For the list of all of the participating blogs, and for further details about how the hop (and for a chance to win prizes!), head on over to the Summer Splash Blog itself.


Happy hopping!

Monday, December 26, 2011

Holiday Hop Winner

Random.org picked the winner for the Holiday Hop giveaway, and it's time to announce who that is.

As a reminder, the prize is all three of my e-novels:

PLUS (assuming the winner has a device that supports a .mobi file) an e-copy of my grammar guide, There, Their, They're: A No-Tears Guide to Grammar from the Word Nerd. The e-version is more comprehensive and up-to-date than the print version, so booyah.

The winner is Ruth!

Congratulations to Ruth, and thanks to everyone who entered!

I'll be back to regular posting after the new year. Now, off for more pie . . .


Wednesday, December 14, 2011

Holiday Blog Hop Giveaway


Yippee for book giveaways, and an extra hooray for ones that coincide with Christmas!

I'm part of the Holiday Blog Hop, which runs from December 15 - December 25. Visit The Holiday Blog Hop to find the rest of the participating blogs (and so you can win more ebooks!).

Extra bonus: The winners from each participating blog will be put together, and one of them will be randomly chosen to win a Kindle Fire. (I recently got to see the Kindle my mother-in-law owns. Didn't get to use it, as my kids were all over it. It's very cool.)

SO: Enter any of the giveaways participating, including mine, and if you win, you'll have an extra shot at the grand prize.

Due to personal writing and editing deadlines (and thing like, oh, family and Christmas), this will be my last post until after the hop is over and I announce the winner.

My giveaway will be very simple:
The winner will receive a copy of all three of my e-novels:

PLUS an e-copy of my grammar guide, There, Their, They're: A No-Tears Guide to Grammar from the Word Nerd. (The e-version is more comprehensive and up-to-date than the print version, so booyah.)


Note: The 3 novels are available in formats other than .mobi (Kindle), but to date, the grammar book is only in .mobi. Apologies if the winner doesn't use Kindle; they'll miss out on that book.


As I did during my last giveaway, I'm not going to make people jump through lots of hoops. I like doing giveaways to thank my followers.

So that's all you need to do:
1) Be a follower (either on my blog through Google Friend Connect) or on Twitter.
THEN
2) Leave a comment on this post telling me that you're a follower (and which way).

That's it!

The fine print:
Entrants must be 18 years old, and I must be able to contact the winner, either via an email address left in a comment, or via a Blogger profile link. If the winner does not contact me to claim their prize within 48 hours, it's forfeit.


Merry Christmas, and happy reading!

Monday, August 08, 2011

Now Available in Electrons


It's been a busy few weeks around here between me doing proofing (three times) and getting constant changes and tweaks to my computer guy (the husband).

Oh, and then there was getting two covers made.

One was a new one for Lost Without You. It's in the header and over in the side bar, but for your viewing pleasure, here it is again:


(If you've read it: doesn't the new one reflect the story so much better? I know!)

But the biggest news right now is what's behind all the proofing and coding and the second cover.

All of that was for a brand new e-book.

I got the idea for the story during my senior year of high school.

(Here's where I wax nostalgic.)

I was part of a program called the Senior Honors Seminar. About a dozen seniors were picked for it through an application process. It was essentially a way cool book club run by the principal and one of the English teachers. They gave us books to read, and about once a month, they excused us from class, fed us donuts or pizza, and we talked books and ideas and concepts and had a ball.

The last meeting before graduation was of particular note, when one of the more eccentric members, a student known for his intellect more than his grades and good behavior, showed up high on drugs. (That freaked out several of us young, naive high schoolers.) Fortunately, most of the meetings were interesting for the discussions.

One month, instead of reading a book, we arrived not knowing what to expect. They divided us up. A girl I'd known for years, Steffani, was my partner. Each pair got a painting to look at. We had to come up with a story based on the painting. Totally cool exercise.

Steff and I got "The Timpanogos Storyteller" by James Christensen. In the four or five minutes they gave us, we came up with an adventure based on two characters sitting in the foreground, a boy and a girl. Clutched beneath the girl's arm is a golden object that looks like a dragon. (She's got bluish hair and he's wearing a dark green tunic. Can you see them?)


We said that these two were siblings. Their father was a prisoner of war, and they had to go rescue him with this magical goblet (that's what the gold dragon thing was, we decided), and that along they way, they find this group of people and creatures in the wood (including a wizard who tells stories, per the painting). This eclectic group would help them find the prison and free their father.

We didn't have time to come up with more details than a skeleton, but I loved the general idea. I went home and jotted it down: a single paragraph in a notebook. That scribbled idea stayed in there for years, but eventually I opened up that notebook, read the idea again, still liked the idea, and began writing the story.

In the end, lots and lots of things changed, and I fleshed out all the stuff that Steff and I didn't come up with in four minutes. The siblings ended up closer in age than in the painting (they're 14 and 12), and the sister doesn't have blue hair. I gave them a wounded knight as a traveling companion. A scene in the book that's inspired by the painting does show up (as does a bunch of other fun stuff; see the blurb below).

I played with the story off and on for years. I took it to my critique group. At one point I had some nibbles submitting nationally, but when I decided to pursue the LDS market in earnest, I let it gather dust. Later, I played with (and polished) the manuscript yet again.

When Kirk at Covenant, who was my editor at the time, expressed interest in the fantasy, I sent it to him. He loved it, but turns out that in spite of his enthusiasm, Covenant wasn't doing youth fantasy at that point, so it was a no-go.

I'll go into more detail next week as to why I decided to put it onto the Kindle instead of wooing an agent with it, but for now, I'll say that after all these years, it's out there for kids and grown-ups alike to read, and that's just cool.

Here's the cover and the blurb:

Ever since their father went to fight in Midian’s War, fourteen-year old Torin and twelve-year-old Merinne have been forced to fend for themselves, hoping one day their family will be reunited. But when a short woman with odd clothing finds Torin in the wood and tells him their father is a prisoner scheduled to be executed in fourteen days, his hopes for ever being a family again are dashed. Then a tiny green dragon shows up at their cottage, wounded and near death but lugging a legendary golden goblet behind him. He brings word of a prophecy that the siblings are to not only rescue their father but save the kingdom. With the help of Markanus, a wounded solider, they set out on a quest to free their father. In their search for the secret prison, the small group faces near-capture by the ruthless enemy army, a maze of terrifying underground caverns, kidnapping by giant hairy creatures that will kill them to keep the goblet, capture by outlaws, and attacks by snake-tongued flying beasts with razor-sharp talons. To succeed they must find help to deliver the goblet to their father and somehow muster the courage it will take to stay alive.

Tuesday, July 05, 2011

Thanks, Valerie

Ten years ago, in the summer of 2001, I got yet another rejection from one of the two publishing houses I was bound and determined to break into (Covenant, the other being Deseret Book). This rejection had a lot of positives in it, and it included a request to revise and resubmit.

About two weeks later, I got an e-mail from an editor there who I knew personally. We'd crossed paths many times, at League of Utah Writers meetings, conferences, and so on. She was one of the most helpful and sweet people ever.

Her name was Valerie Holladay.

In her email, she said that she'd seen my work cross her desk over the years, and she knew I had the chops, but for whatever reason hadn't quite crossed the line into acceptance. Long-time readers of my blog will remember the story (HERE and HERE) about how Valerie invited me to lunch so we could discuss my writing and figure out how to fine-tune my work so it was more marketable.

I spent days frantically writing synopses of my novels so Valerie could read them in advance and give me feedback on the stories when we met for lunch. I remember the table we sat at when the light bulb went off over my head and I realized what ingredients my stories were missing. I remember talking to her in the parking lot, where she told me that if we could just get me in the door I'd "be an asset to the company."

She gave me permission to submit to her electronically, which wasn't the norm back then. But by the time that day came, I learned that she was leaving the company. At first I felt like the brass ring had been taken away from me; my advocate at Covenant was gone.

Sure, Valerie had left, but she'd taught me what I needed. That fall, I submitted what became Lost Without You, and by the one-year anniversary of our lunch, I had a novel on bookstore shelves with my name on it.

In the years since, we've corresponded here and there as friends and colleagues about topics ranging from cat training to typesetting. Most of my friends who are fellow Covenant authors came aboard after I did and never knew her.

In many ways, I owe a lot to Valerie for helping me and guiding me. She took me under her wing when I needed it the most.

I know I'm not unique in that respect. I've heard many other writers express gratitude for the friendship and help they received from Valerie.

Which is why the world lost something special on Sunday when Valerie passed away after a short bout of cancer. I didn't even know she was ill. When I heard, my heart ached.

I'm quite sure I'm not alone in saying that she will be missed.

Thanks for everything, Valerie.

Sunday, February 06, 2011

Sample Sunday: Lost Without You, from Ch 2

An excerpt from chapter two of Lost Without You ($2.99 on Kindle):

“I know it’s best that I don’t see him anymore, but it still hurts.” Brooke found herself rubbing her upper arms as if they were cold. “And then I start thinking I must have been a total idiot to date him in the first place.”

“But you didn’t see any red flags early on, right?” Pat said.

“No, but—”

“And you broke up with the freak the moment you realized he was bad news. Give yourself some credit.”

Brooke shrugged. “I’ve never had a guy shove me before. The whole thing really rattled me—the only thing that could get me to calm down was pounding out Broadway show tunes and pretending I’m some big stage star.” She laughed at herself.

“You were a pretty darn good Anna,” Pat said, referring to The King and I.

“I wasn’t too bad, was I?” Brooke said with a half smile. “I’ve always wanted to do another play—but Anna was nearly half my life ago. It’s not like I could even get cast at the local theater if I tried.”

Pat raised her sunglasses and her eyebrows. “Is there a local theater you’re referring to?”

Oops. Hey, at least it’s a change of topic from Christopher.

Against her better judgment, Brooke mentioned the audition notice. “I cut it out of the paper on a whim. It’s not like I’d actually try out or anything. Please.”

“So . . . when are the try-outs?” Pat asked casually, popping a cracker into her mouth from the box the kids foraged from.

“Monday evening.” The word slipped out before Brooke could take it back. “But I’m not—”

“You’re going.”

“That’s crazy,” Brooke said, snatching the box of crackers and grabbing a fistful. “I haven’t sung in public since, well, forever. And I don’t have anything prepared for an audition. That’s crazy talk.”


Pat swatted Brooke’s arm. “Oh, come on. You said yourself it’s just a small community thing. I’ll come with you. It’ll be a fun excuse to give Grandma time with my kids while I come with you.”

“Fun?” Brooke leveled a look on her sister. “That’s the last adjective I’d use for an audition. Try terrifying or humiliating . . .”

“You’re going.” Pat said it as if it were a known fact. She took the cracker box back and plopped another cracker into her mouth defiantly.

Brooke laughed. “Oh, really?”

“Yep,” Pat said with a business-like tone. “I’ll pick you up for it, and Mom will watch the kids.” She paused, leaned closer, and added in a sing-songy tone, “We’ll go out for ice cream afterward.”

“Ice cream?” She reached into the cracker box, again in Pat’s hands, and put some into her mouth, one at a time, as she glared at her sister, but the look had laughter behind it. She sighed dramatically. “I suppose I could go if I get ice cream afterward,” she said with the tone of a martyr.

Pat looked at her watch, which broke the spell. “Yikes. It’s later than I thought. Amy’s way past her naptime, and Krissy and Tammy are probably close to meltdown too.” She went into the wood-chipped area. “Kids, it’s time to get back to Gamma’s. One more time down a slide, and then you come with me.”

With a bit of coaxing and compromise, all three girls were finally gathered. But just as they got to the van, Krissy began to bounce up and down.

“I gotta go. Bad!”

Pat groaned. “Can’t you wait until we get to Gramma’s? Her house is just a few minutes away.”

More like ten, but Brooke wasn’t going to argue the point.

Krissy’s eyes were desperate, and she bounced harder. “No. I gotta go now.”

“Fine. Come on,” Pat said in surrender. “The last thing I need is a return-trip to Arizona where the car smells of a potty accident. Let’s go.”

“The bathrooms are on that end,” Brooke said, pointing. “I’ll get the other girls buckled up and bring the van around if you want.” Pat tossed the keys to her and headed off in search of the facilities.

The van had grown hot in the unusually warm May heat, practically stifling everyone’s breathing. Brooke buckled the other girls into their seats quickly. Then Tammy found a bag of peanut M&Ms left in the van.


“Put those away,” Brooke said. “They’re probably all melted, and they’ll make a big mess.” From inside the van, Brooke slid the sliding door shut and squeezed her way forward to the driver’s seat, where she collapsed and pushed her fingers through her hair.

“It’s hot,” Tammy declared. “I don’t like being hot. Turn on the air.”

“That’s exactly what I’m about to do.” Brooke glanced into the rearview mirror and caught Tammy popping M&Ms into her mouth. “Hey . . .”

She turned the key, but instead of starting, the van let out a loud, drawn-out wail. The vehicle seemed frozen, except for the high-pitched siren, which attracted stares from passers-by. Brooke’s face flushed red as she fumbled with the dashboard controls, frantically trying to figure out what she’d done wrong. No matter what dial she turned, no matter how hard she twisted the key, nothing worked. She punched the red alarm button on the key fob, but that didn’t work either. Aside from the screeching alarm, the van was dead. But what had set the alarm off? And more importantly, how in the world could she get the thing to stop?

Amy, who’d been about to dose off in her car seat, awoke with a start and began crying at least as loud as the alarm.

Tammy joined her in a chorus of cries. “Turn it off,” she cried, holding her ears. “It’s loud. I’m scared.”

Brooke reached for the owner’s manual in the glove compartment. “I’m trying. I’ll turn it off as soon as I can figure out how.”

With each wail of the van, Brooke’s nerves wound a little tighter. Pedestrians gave her odd looks, and the cries of the children continued to escalate. By this time Amy was nearly hysterical—her entire body was such a dark red, it was nearly purple. Breathe! Brooke commanded her mentally, and every ten seconds or so, Amy would pause her shriek long enough to take in a lungful of air. Tammy thought it great fun to imitate the alarm to see if she could yell even louder.

Brooke flipped the pages of the manual blindly, willing the right page to show itself. She couldn’t think clearly; she wanted nothing more than for the alarm to turn off.


A tall man with short, brown hair appeared a few yards away and walked with a determined step in their direction. He looked vaguely familiar, but then, how many men in Utah Valley had short brown hair—a few thousand, give or take?

When he reached the minivan, he mouthed, “Do you need help?” Brooke nodded in humiliation, wishing she could become invisible, but at the same time grateful for the help. She got out of the van so she could hear him over the noise. With her nerves on edge, she had to focus to understand his simple instructions.

“Just lock the door, close it, and open it with the key instead of the key fob.”

It was worth a try. Brooke pushed the power lock button on the driver’s side door and closed it. As the door left her fingers and shut tight, she gasped. “Wait!”

The man took a step forward, looking for what was wrong. “What?”

“If this doesn’t work, I just locked two little girls inside a hot car.” She swallowed nervously. “I should have gotten them out first.”

“It’ll work. Trust me.” His voice was calm and reassuring. Brooke tried to believe him and be comforted when he added, “And if it doesn’t, I know how to open a locked car door.”

An eyebrow went up at that. Who knew how to break into cars? Brooke did her best to brush off thoughts of heat and the van’s continued wailing and tried to steady her hand enough to get the key into the lock. Tammy pounded frantically on the driver’s window.

“What’s wrong?” Brooke yelled through the window.

Tammy, who’d apparently unbuckled herself from her booster, held up the pack of M&Ms and pointed to her throat.

Brooke’s eyes went wide. “Are you choking?”

Her niece nodded, tears welling up in her eyes. Brooke said a silent prayer that the door would unlock; turning off the alarm didn’t seem so urgent anymore. But with her hand shaking, she couldn’t get the key in. Who used keys to get into cars anymore? She glanced up at the driver’s window, where Tammy watched, tears streaking her face, her hands at the throat.


The man reached for the keychain. With one quick motion, he slipped the key in. Brooke held her breath. A second later, the wailing stopped as abruptly as it had begun. More importantly, the door opened. Before Brooke could do anything, he had opened the sliding door, reached inside the van, and pulled Tammy out. He turned her around, wrapped his arms around her, and after two quick thrusts, the offending candy flew out of the girl’s mouth. She took a large gasp of breath and collapsed in Brooke’s arms with shaky sobs. Brooke let out a harsh breath of her own.

“Are you all right, sweetie?” she held Tammy close as she nodded and then buried her head in Brooke’s shoulder for another hug. Brooke looked skyward. “What a relief.”

The man smiled at her. “I can imagine. I know how powerful those parental instincts are. If it had been my child, I’d be a bit shaky too.”

Tammy took a deep breath and pulled away, wiping at her eyes. “I’m better now. When’s my mom going to be back?”

“Soon,” Brooke promised. Tammy climbed into the van, and Brooke straightened. She gestured toward the girls. “They’re my nieces,” she admitted. “My sister’s girls. But I can’t imagine my being any more pathetic even if I had been their mother.”

“Not pathetic. Worried.” He chuckled with a shake of his head. “Those little ones can have quite a hold on you.”

Tammy sat in her booster and gave Brooke a look she had undoubtedly gotten from her mother. “Hey, we’re not supposed to talk to strangers.”

“I think this is an exception,” Brooke said, pointing at the man. “He just saved your life.”

He stepped forward and held out a hand. “If you’re not allowed to talk to strangers, I suppose I’d better introduce myself. My name is Greg Stevens.”


Oooooh.

That’s why he seemed familiar. This was the police officer at the accident. She didn’t recognize him without the uniform and name tag.

G. Stevens.

No wonder he knew how to open locked cars.

He held his hand out to Tammy. “And you are . . . ?”

She giggled and shyly extended her hand. “I’m Tammy.”

“That’s a very pretty name. How old are you?”

“Seven. I’m almost done with first grade.”

“Wow, almost a lady. You’re tall for first grade.”

Tammy bit her lip with pleasure.

“It’s nice to meet you,” he said, shaking her hand. He turned to Brooke and shook hers, too. “It’s nice to meet you, too. . . .” His forehead creased. “Don’t I know you from somewhere?” He thought for a moment, then snapped his fingers. “Last night. Accident on University, right?”

“I think so.” Brooke could feel heat climbing up her face and tried to change the subject; anything that hinted at Christopher was to be avoided today. “First you help with the alarm, and then Tammy . . . Anyway, thank you. When it went off, I didn’t have the slightest idea what to do. I don’t even know how it happened.”

“Oh, you probably closed the doors, then accidentally locked them with the fob. If you do that and then try to start the car, the alarm will go off. Alarms are programmed that way—if the fob locks the car and then someone tries to start it, the alarm assumes the car’s been broken into.”

Brooke nodded, figuring that she probably hit the lock button on the key chain somewhere between buckling up the children and squeezing into the driver’s seat. Greg went on. “It’s not that uncommon, especially when a person’s not familiar with how car alarms work.”


Brooke flushed with humiliation, convinced that this handsome stranger saw her as an idiot blonde who couldn’t take care of herself. No matter that her hair was chestnut brown and that she’d been taking care of herself for over a decade. “Oh, this isn’t my minivan,” she said more quickly than intended. She didn’t know this man, but somehow she wanted to be sure he didn’t leave with the wrong impression. “I mean, if it were, I would probably know how it worked.”

Greg shrugged. “Could have happened to anyone. It was nice meeting you again.”

She watched him head down the sidewalk, hating the fact that the dimple in his left cheek refused to leave her mind. She suddenly called out to his retreating figure, “Thank you . . . again, I mean.”

He turned around. “No problem,” he said with a final wave. She got back into the minivan and almost started it when Pat returned with Krissy.

“We made it, but barely,” Pat said, helping Krissy into the van. She looked down the street and pointed. “Who was that?”

“Here’s the keys,” Brooke said, ignoring the question. “Sorry I didn’t pull the van closer. We had a bit of an incident involving peanuts, chocolate, and car alarms.”

With Krissy buckled, Pat took the keys, but looked down the street again. “Do you know that guy?”

“No.”

“But you just waved at him.”

Tammy jumped into the conversation with her seven-year-old explanation. “The van started making this loud noise, and Brooke didn’t know how to stop it, and that guy did, and he told her how, but he turned it off and got the door open, but I had a peanut M&M stuck in my throat, and he got me out and lifted me hard and got it out—”

“Are you all right?” Pat interrupted, her maternal worry replacing curiosity.

“I’m okay. I won’t eat any more of these candies, though. But he was really nice.” As she went on, Brooke was amazed that a girl her age could rattle on like that. “He shook my hand so I could talk to him and we wouldn’t be strangers anymore, and then we introduced ourselves. And his name is Craig.”

“Greg,” Brooke corrected, then blushed and looked away.

Pat eyed Brooke. “Oh?”


“Yeah,” Tammy said. “And Mommy, he called me a lady.”

Brooke ducked around the van to climb into the passenger seat. On her mother’s orders, Tammy buckled back up and had her interest hijacked by her Nintendo DS. Pat put on her seatbelt without saying anything, but as she turned the key, she eyed Brooke. “So is he cute? Did he get your number?”

“No.” The word kind of coughed itself out. “I mean, yes, I suppose he is pretty good-looking, but no, we didn’t exchange any personal information.”

Pat turned her head to get a good look at Brooke, laughed, and put the minivan into gear. “Your ears are red.”

Brooke looked away and stifled a smile. “Hush, Pat.”


Sunday, January 09, 2011

Sample Sunday: Lost Without You


From the end of Chapter One of Lost Without You:






Christopher drove home, where his mother would be waiting for him. He knew something wasn’t right with him; the feelings surging through his body, the thoughts filling his mind, felt like something trying to take control over his body. He’d felt this way before, but not in years. He was younger then, less mature. This time, he’d handle it on his own.

He pulled into the driveway and killed the car, but didn’t go in yet. Mother couldn’t see him like this; he had to calm down first or she’d ask whether he’d taken his meds.

Rather, my poison. I’m fine—I don’t need any meds.

He hadn’t needed them for nearly two years, but he’d taken them faithfully in spite of the side effects until March, nearly two months ago. He blamed his extra twenty pounds and receding hairline on those pills. Not to mention the headaches and nausea. And tossing and turning every night, unable to sleep. Poison—that’s what those chemicals were. Brooke deserved a man without love handles or a shiny scalp. So he went off them.

Still gripping the steering wheel, a surge of emotion shot through Christopher again. He looked over at the passenger seat and stroked the spot where Brooke had sat minutes before. He wanted nothing but her. He needed her. What went wrong? Everything was perfect until she pulled that surprise out of nowhere tonight. Back and forth his hand went, stroking the seat. No matter. He’d win her back. The two of them would be together, in this life or the next. No matter what it took.

He tried to even out his breathing so Mother wouldn’t ask any questions. Even if she didn’t shove the pills down his throat, she might trick him into taking them inside food or—worse—drag him to see Dr. Hamilton again. He couldn’t risk that. So he leaned against the headrest and closed his eyes, breathing deeply while running his fingers across Brooke’s seat. After a few minutes he adjusted the rear view mirror to peer into his eyes. He blinked, searching his expression for anything Mother could find amiss. With one final breath, he got out, closed the car door, and headed up the porch. He glanced at his watch. Mother would be watching one of those news magazine shows. If he came in with a smile and gave her a kiss on the cheek, she might not ask why he was home early.

Christopher reached for the doorknob then gave one final glance at the passenger seat. Brooke would be his—he’d see to that. As he opened the front door, he couldn’t help but smile.

Buy now: $2.99

Monday, December 13, 2010

Reader's Guide to How Publishing Works

At recent book signings, I've had a lot of people ask questions about publishing, stuff that as a writer, you almost forget you didn't know once upon a time and had to learn.

Here's a basic run-down on what publishers do (and don't do) and how a new writer goes about it.

You do not pay a publisher to put out your book.
A legitimate publisher considers your book to be their product, and they invest a lot of money into it to make it successful. That money includes editing (many rounds of editing and revisions), copy edits, proofing, typesetting, and things like graphic design, printing, shipping, and distribution. As a result of all that, they have a lot of overhead and keep most of the money.

But they do NOT ask the author for money. Companies who do are called Vanity (or, the nicer term, Subsidy) Publishers. If you go with one of them, you're essentially self-publishing. (See below.)

Vanity publishers have a very bad reputation, especially those who pretend they're legit and are doing YOU a favor. ("Just pay us $4,000, and we'll publish your amazing book!" Ha. Run. Run like the wind! An example of this type of deal: Publish America.)

(Check the Predators and Editors site to check for shady agents, editors, and publishers before signing anywhere.)

The Writer Is Paid Royalties.
Royalties are based on book sales. Statements (and checks!) usually arrive twice a year. (If you ask me how my book is doing, I can't tell you until I get my next statement.)

Royalties are based on a percentage of the book price, usually retail, although sometimes it's wholesale, with royalty percentages ranging from 6.25% to 15% (lots of factors go into the number, which I won't get into now).

Larger publishers often offer advances. An advance isn't just free money. It's money that the publisher is gambling will pay off. If Joe Author gets a $5,000 advance, he gets no more money in royalties, EVER, unless royalties he would have earned from books sold exceed $5,000. When that happens (which doesn't always), he's "earned out" his advance and will then receive royalty checks.

Advances are pretty rare in the LDS market (unless your name is big enough that the publisher knows that a book by you is a guaranteed check in the bank, and I can think of maybe four names like that). I know a few authors who've managed to get advances, but they're very few and far between.

Some math: You can end up waiting years before seeing a dime on your work. I began work on Chocolate Never Faileth May 1, 2009. I'll see my first dime from it February 2011. And that's a FAST turnaround.

More math: There's not much chance of making really good money from publishing a book, especially fiction. (Non-fiction, with someone who has a big platform, is another animal.) A novelist could very well get about sixty-five cents per copy sold. (So pop that dream of a mansion and a Mercedes. Ain't happening.) The rich novelist, especially of a single book, is a serious myth. (It happens, sure, but you have a better chance of being struck by lightning.)

Return Reserve
Another issue is returns. The writer is paid on books ordered by and shipped to stores, not on books that actually walk out of the store in a customer's hand.

So your royalty check may not reflect actual sales. This can come back to bite you when a bunch of stores (especially ones who buy in bulk, say WalMart or Costco) return cases of unsold books.

What happens: your royalties account goes into the red. You were already paid on those books. While you don't need to cough up money to pay your publisher back, you ARE in the red until future royalties add up to be enough to get you into the black again.

This is why return reserve is so common. For example, my publisher withholds 10% of my royalties earned in every check to cover any possible returns. (And then we both cross fingers, hoping that returns don't exceed 10%.) If, after the next 6 months, we don't end up with lots of returns and I'm in the black, I get that 10% paid in my next check.

What's a pain is when you're in the black from other books but a different book gets lots of returns. Your royalties for your new book are then cannibalized to pay for the returns of a past one. (Not that I'm speaking from experience or anything . . .)

Agent or No Agent? (And What Does an Agent DO?)
Whether you'll need an agent depends on the market you're trying to break into. The LDS market, for example, is small enough that agents simply couldn't making a living in it. It's rare that an agent negotiates a deal here. (It's happened, usually with authors who already had an agent for another project. I could list a few examples, but it's pretty rare.)

Even authors who have agents for national project often negotiate their own LDS publisher contracts. One fun example was Dean Hughes, who was working on his Children of the Promise series, unbeknownst to his national agent, who thought he wasn't doing much work (ha!) and surprised him when she sold a nine-book series for him to write.

For most national houses (versus regional or niche publishers) you will need an agent just to get in the door to be considered. Agents are the gatekeepers who pass along manuscripts to editors that they feel have promise so editors aren't wading through what's called the "slush pile."

Agents have relationships, connections to the publishing world. They're the ones with the Rolodex. You don't. They can sell your book to the best house. You can't. They negotiate the contract. After a book is sold, they can go on to sell foreign rights (which can be a pretty hefty amount of money, if you sell rights in lots of countries), movie rights, and so on.

Agents take 15% of what you earn, WHEN you earn it. That may sound like a lot, but getting 85% of, say $90,000 is a whole lot for more than 100% of $5,000. Agents earn their money.

One big caveat: NEVER pay an agent anything upfront. Run from an agent who asks for reading or other fees. If they have costs to be reimbursed for (copies, postage), that'll come out of a royalty check. You should never be paying them anything directly. They get paid when you do.

How Do You Approach Publishers/Agents?
When I started, we didn't have Professor Google to help. I had to rely on the book edition of Writer's Market. Now they have an online version, and you can find a multitude of blogs out there written by agents and editors on how to write a query and how to approach publishers. (So much is out there, you really have no excuse for not educating yourself.)

Publishers Take so Much Money; Why Not Self-Publish?
A couple of reasons: first, the chances of your book being professionally edited, typeset, and having a great cover are pretty sad. (Self-published books usually LOOK self-published.) That means fewer sales. (People really do judge books by their covers.)

A second, and possibly bigger, factor is that publishers already have distribution arms, relationships and histories with bookstores. Indie writers don't. Bookstores are generally wary about taking on books that don't come from a reputable publisher, especially because they usually can't return unsold books to the author the way they can to a publisher. (This is especially true if the writer used a print-on-demand company.)

It doesn't do a writer much good if they have flat of 4,000 copies of a book in their basement and they can't sell them. Sure, you'll make several bucks per book, but if you're selling under 100 copies, where's that getting you?

E-books
They're changing the face of publishing. How far and in what ways remains to be seen.

One issue is that there are SO MANY e-books out there, so readers still need a way to vet the good from the bad. Publishers still provide that service.

That said, a lot of self-published e-book writers are making pretty good money. But they market as much as they write. They get professionally designed covers, get their books edited, interact with e-book readers, usually have multiple books for sale, and more. It's not an easy route. It's work either way.

I have one Kindle book so far (soon to be three). My first novel, Lost Without You, went out of print some time ago, and after the rights reverted back to me (and after a minor rewrite), I got it onto the Kindle last summer (it's also available on other e-reader formats through Smashwords, which includes Apple, Kobo, Sony, and more).

Sales were slow at first, but they're picking up. And while I'm not going to get rich off it, having the book there is getting me more readers all the time. And here's one great thing: the book won't go out of print again. Ever. I can get more sales as the months go by, not fewer.

For more on this, I was interviewed by the Kindle Author blog today. Check that out for more on my experience with Lost Without You and e-books.

I'm hoping that by February, my grammar guide and my second novel, At the Water's Edge (also out of print), will be available on the Kindle and other e-book formats.

Those are the most common questions I get about publishing. If you have more, throw 'em at me, and I'll add them to a future post!



Wednesday, July 21, 2010

4-Year Extravaganza!!!


Yippee! Today marks FOUR YEARS since my very first post here at The Lyon' s Tale, wherein I celebrated my writerly weirdness.

IT'S PARTY TIME!!!

(PRIZES BELOW!)

But first . . .

A lot much has happened in four years. A smattering:
  • Four of my seven novels were published.
  • I got two teenagers. (And an ulcer. Connected? You decide.)
  • I got my own gorgeous office with built-in bookcases made by my husband.
  • I won Utah's Best of State medal for fiction.
  • The Whitney Awards were created. My suggestion for naming the award was picked. ("Whitney" in honor of apostle Orson F. Whitney, who envisioned an amazing future for LDS literature).
  • I was a Whitney finalist, then a member of the committee, and this year got to present a Lifetime Achievement Award to Gerald Lund.
  • (Speaking of which, be sure to nominate your favorite books by LDS writers . . . and that includes national books. A title needs five nominations to be official. Get nominating!)
  • The Teen Writers Conference was born, which I've been part of since its inception.
  • I broke my nose.
  • I used elements from that experience in my next two books.
  • Two daughters hurt their wrists w/in about 48 hours of one another: one sprained, the other broken. With their red hair, I was immediately identified by the Urgent Care NP. "Weren't you just here with another daughter with a similar injury?"(I am a fit mother. I SWEAR.)
  • Husband and I took a trip to visit my parents in my other homeland, Finland, where they were presiding over the temple. You can read all about the trip HERE.
  • I was asked to write a COOKBOOK, of all things. Lesson: You never know where writing opportunities will come from. Keep doors open. (And watch shelves in October!)
  • I joined Facebook (with both a personal page and an author page).
  • I joined Twitter (@Lyonstale).
  • At the pestering request of many, many people, I created my grammar book.
  • Most recently, I got my very first book available for readers once again, currently on the Kindle. (Can I hear a woot, woot?!)
Now for the celebration, in THREE parts (each part will have MULTIPLE winners!):

1) A random drawing for prizes.

2) An easy trivia contest. (I give obvious hints, so there's no excuse to NOT find the answers.)

3) A mini writing contest.


THE PRIZES, THE PRIZES!!!

1) CHOCOLATE!
Kim is generously donating a delicious Canadian chocolate pack to one winner. (That alone is worth entering, no? Oh, yeah.)

2) Eyes Like Mine
A signed copy of Julie Wright's latest novel, a recent Whitney Award finalist.

3) All the Stars in Heaven
A signed copy of Michele Paige Holmes's latest, also a Whitney finalist this year. (Her previous book won the Whitney for Best Romance. She has yet to publish a book that isn't at least a
finalist.)

4) Alma the Younger
A signed copy of the newest release by 2-time Whitney winner H. B. Moore.

5) A Spiral-bound Notebook and a Pen
The notebook has a totally cool cover (a blueish/grayish door with a brass doorknob and lock). Quote on the front says: Unlock your mind: read. Winner also gets a pen to go with the notebook. It has cute polka dots and the words: Don't bug me; I'm writing.

6) A Mouse Pad
Features a stack of books and the famous Groucho Marx quote: "Outside of a dog, a book is a man's best friend. Inside of a dog it's too dark to read."

7) A T-shirt
White, with a row of cute houses on it and a quote below them: "A house without books is like a room without windows."

8) A custom piece of jewelry from Bangles, Beads, N' Bobbles.
Visit their Facebook page or Etsy shop to get an idea of the fun stuff to choose from. Since the winner's prize will be created custom-made, they'll have to plan on about 2 weeks so Sandra, the brain behind the magic, can make the piece and ship it.

9) Finding Rose
A signed copy of Stephanie Humphrey's debut romance novel from Walnut Springs.


Enter THREE ways:
1) Comment, then spread the word, if you want to. (THREE RANDOM WINNERS.)
One comment will enter you. Get additional entries by spreading the word. (You know the drill: tweet it, blog about it, put it in your FB status, yada yada. Then let me know what you've done, and you'll get extra entries for each item. Blog posts linking back to this one are worth two entries, all the other fun stuff is worth one extra each.)

2) Answer the five trivia questions below. (THREE RANDOM WINNERS.)
Send your answers to ANNETTE at ANNETTELYON dot COM. DO NOT put your answers in the comments. I promise, they're EASY:
Five Trivia Questions (all answers can be found here on my blog):
1) What month of the year did I begin Word Nerd Wednesday? (Hint: Look for the "Word Nerdiversary" post.)
2) When (month and year) was Lost Without You first published? (Hint: Look at a recent post.)
3) What was the title of the first book I began to write (but never finished)? (Hint: The VERY FIRST post with from the Writing Journey series. They're labeled.)
4) What cosmetic do I almost never leave the house without? (Hint: #76.)
5) List the other SIX members of my critique group There are seven of us, but don't list me. (Hint: Sidebar)

AGAIN: DO NOT put the answers into the comments. E-mail them to me.

3) Enter my mini writing contest. THREE winners will be awarded from the entries, which will be judged by a super-secret but totally awesome panel.

The rules: write a short-short story of 250 words or fewer (word count will be enforced), with either the opening or closing sentence being:

In hindsight, it wasn't such a good idea.

Send your story (fiction or non-fiction) via e-mail: ANNETTE at ANNETTELYON dot com with the story IN THE BODY OF THE MESSAGE. (No attachments. Maximum of two stories per person.)

Winning stories will be posted here, so by entering, you're granting The Lyon's Tale that right.

DEADLINE for stories: Wednesday, July 28.
(That's a week from the date of this post.)


TO SUM UP:
-THREE PRIZES for comments and spreading the love.
-THREE PRIZES for those who correctly answer ridiculously easy trivia questions.
-THREE PRIZES for mini story winners.

That's NINE awesome prizes you have a shot at winning!

Winners will be announced Friday, July 30.


Ready, set, go!


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